Cecilia Ballí
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Cecilia Ballí is a writer and journalist who has been writing for magazines for more than twenty years. In 2000, she became the first Latina or Latino writer at Texas Monthly, where she published longform stories and essays as a writer-at-large. She has written extensively about Tejano history and culture, immigration, the sexual killing of young women in Ciudad Juárez, U.S.-Mexican border drug violence, and Mexican military disappearances and torture, among other subjects. She has also published stories in The New York Times Magazine, Harper’s Magazine, and Columbia Journalism Review. She began her journalism career as a high school senior writing for her hometown newspaper, The Brownsville Herald, and later worked as an education reporter for the San Antonio Express-News.

Ballí is also a cultural anthropologist who taught for six years as an assistant professor at the University of Texas at Austin. She has conducted ethnographic fieldwork on Tejano and norteño musical culture and intra-ethnic tension between Mexicans and Mexican Americans; gendered violence on the border and the sexual killing of young women; U.S.-Mexico border enforcement and the border wall; and Latino voting and civic engagement. In 2014, she left academia to focus on reporting and writing, but she’s currently a Professor of Practice in the College of Liberal and Fine Arts at the University of Texas at San Antonio. She was previously a Visiting Scholar at the University of Houston’s Center for Mexican American and Latino/a Studies, and a Research Associate at the University of Texas at Austin’s Humanities Institute.

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As a writer, Ballí has held artist residencies with the Lannan Foundation, the Headlands Center for the Arts and the Lanesboro Arts Center, and she was the 2014-2015 Jesse H. Jones Dobie Paisano Fellow with the Texas Institute of Letters. In previous years, she was a finalist for the Livingston Awards for Young Journalists and was named Emerging Journalist of the Year by the National Association of Hispanic Journalists. Her stories and essays have appeared in multiple anthologies, including The Best American Crime Writing; Hecho en Tejas: An Anthology of Texas Mexican Literature; and Puro Border: Dispatches, Snapshots & Graffiti from La Frontera.

In 2018, Ballí launched Culture Concepts, a creative and strategic consultancy focused on ethnographic research, cultural analysis and storytelling. She continues to write for various publications. Her latest story for The New York Times Magazine, “A Championship Season in Mariachi Country,” chronicled a championship season among Texas’ most elite high school mariachis, and is being developed into a scripted and unscripted television show by Fremantle. Ballí is also writing a narrative nonfiction book inspired by the story.

Ballí holds a B.A. in American Studies and Spanish from Stanford University and a Ph.D. in cultural anthropology from Rice University. The daughter of former migrant farmworkers, she grew up crossing the border and is a proud tejana and fronteriza. She’s roamed around Texas much of her life, but presently lives in San Antonio.

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Awards & Publications

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FELLOWSHIPS, GRANTS & AWARDS

  • Lannan Foundation, Writer’s Residency (2017 and 2014)

  • The Nation Institute, Writing Fellowship (2016)

  • Texas Institute of Letters, Dobie Paisano Writer’s Residency (2015)

  • Headlands Center for the Arts, Artist’s Residency (2014)

  • Lanesboro Arts Center, Artist’s Residency (2014)

  • Dart Center for Journalism and Trauma, Ochberg Fellowship (2010)

  • School for Advanced Research, Ethel-Jane Westfeldt Bunting Fellowship (2010)

  • J. Anthony Lukas Work-in-Progress Award, Distinguished Finalist (2008)

  • National Association of Hispanic Journalists, Emerging Journalist of the Year (2004)

  • Livingston Awards for Young Journalists, Finalist (2004)

  • John Bartlow Martin Award for Public Interest Magazine Journalism, Finalist (2004)

  • Ford Foundation, Predoctoral Fellowship (2002)

  • National Science Foundation, Predoctoral Fellowship (2002)

  • Paul and Daisy Soros Fellowship for New Americans (2002)

  • Rockefeller Foundation, Gateway Humanities Research Fellowship (2000)

ANTHOLOGIZED ESSAYS

  • “City of Death, City of Hope.” Literal Magazine: Latin American Voices. Issue 24, Spring 2011.

  • “‘It’s Not About Music No More’: Intraethnic Conflict and Compromise in the Regional Mexican Music Industry.” Northeastern Mexico and South Tejas, One Region, One Culture: An Anthology of Essays. Guadalupe Cultural Arts Center, 2009.

  • “Borderline Insanity.” Texas Monthly On…True Crime. University of Texas Press, 2007.

  • “All About My Mother.” Hecho en Tejas: An Anthology of Texas Mexican Literature. University of New Mexico Press, 2006.

  • “All About My Mother.” Texas Monthly On…Texas Women. University of Texas Press, 2006.

  • “Introduction.” No Place for Children: Voices from Juvenile Detention. University of Texas Press, 2005.

  • “Ciudad de la Muerte.” Rio Grande. University of Texas Press, 2004.

  • “Ciudad de la Muerte.” The Best American Crime Writing: 2004 Edition. Vintage, 2004.

  • “I Get Up to Work.” Border-line Personalities: A New Generation of Latinas Dish on Sex, Sass, and Cultural Shifting. Rayo, 2004.

  • “Ropa Usada.” Puro Border: Dispatches, Snapshots & Graffiti from La Frontera. Cinco Puntos Press, 2002.

  • “Thirty-Eight.” Colonize This!: Young Women of Color on Today’s Feminism. Seal Press, 2002.